This article examines a recent, internationally acclaimed popular novel fromAfrica, Gaile Parkin’s Baking Cakes in Kigali (2009), to explore the ways thecustomary cultural demarcation between “highbrow” and “lowbrow” literature,between entertainment and critique, can be blurred so as to enablemore efficacious interventions, whether conceptually or pedagogically, intothe complexities of contemporary African societies. The article beginsby interrogating the immensely suggestive paradigm of “entanglement”(Mbembe and Nuttall) with a view to proposing more adequate images ofsociopolitical complexity via the notion of “folding” (Deleuze and others). Itthen offers examples of such modified paradigms by looking at the genericambiguity of Parkin’s novel, matched by the complex strategies it brings tobear on such fraught and intractable issues as FGM. The article suggests thatthis fusion of lightweight and serious, popular and conceptually challenging,is both an index of contemporary sociopolitical complexity in Africaand the site of the text’s purchase on that very complexity.
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机译:本文考察了最近在非洲获得国际赞誉的通俗小说《基加利的盖尔·帕金的烘焙蛋糕》(2009年),以探讨在娱乐与评论之间“高眉”与“低眉”文学之间的传统文化划界如何模糊以至于无论是从概念上还是在教学上,都可以对当代非洲社会的复杂性进行更有效的干预。本文首先从“纠缠”(Mbembe and Nuttall)的巨大暗示范式开始审视,以期通过“折叠”(Deleuze等人)提出更充分的社会政治复杂性图像。然后,通过查看帕金小说的普遍模棱两可,再加上它在诸如FGM等棘手而棘手的问题上所承受的复杂策略,来提供这种修改范例的例子。文章建议,这种轻巧和严肃,流行和概念上的挑战性融合,既是当代非洲社会政治复杂性的指标,也是该文本在这种复杂性上的购买地。
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